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Category Archives: Websites

Plotting

20 Monday Sep 2010

Posted by A. J. Braithwaite in Websites, Writing

≈ 1 Comment

A discussion on one of the KindleBoards forums/fora last week caught my eye. The original poster asked whether you need to have a plan before you start writing.

The responses (predictably) ranged from ‘yes I plan everything out in advance’ to ‘plotting kills novels’. Interesting. One of the respondents mentioned the Snowflake method, which I’ve just read up on and which sounds as though it might be useful.

Like most first-time novelists, I didn’t have a well-thought-out plot for The Roman and the Runaway. By the time I got down to writing it in earnest in 2007, I realised that I only had half a novel (part one of the book as it is now). Those were the scenes I had been carrying in my mind for the previous twenty years. It was another year and a half before I got past that road-block and was able to write parts two and three.

My metaphor for the process of writing the last two parts is that it felt like I was doing a brass-rubbing. The story existed but was hidden and I needed to work hard to reveal the details of it, which were revealed, line by line.

I’m working on a sequel when time allows (which is not often!). This story has a central idea and I’ve written a number of scenes (around 17,000 words) but there is, as yet, no detailed plot. I’m comfortable with that, because it’s my hobby and there’s no rush for this story to be finished. I can imagine that if I was writing to deadlines and had a publisher demanding to know where the sequel was, then it would be much more important to have those detailed plans in place and be writing to meet them.

Sounds a lot less fun, though.

Free book! Only $1.24!

07 Tuesday Sep 2010

Posted by A. J. Braithwaite in Websites

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One of the useful things about having a book on Smashwords is the way that the site acts as a distributor to other ebook retailers. The Roman and the Runaway has now been available through the Apple, Barnes and Noble and Kobo stores for a few months.

Today I noticed that the book is also appearing in the Diesel ebook store. Where there is one significant difference:

Diesel's price

Where it is free on the other sites, with Diesel, the book is priced at $1.24. I went back to look at the Diesel announcement on the Smashwords blog and can’t see any mention of this price change for usually-free Smashwords books. I assume that none of that money will be coming my way.

I could choose to opt out of the Diesel distribution, but that seems fairly pointless. Perhaps giving the Diesel people $1.24 per sale for the privilege of being listed on their site is worthwhile? I don’t know. I do know that I wasn’t very happy to see a price tag on my book.

Interesting Authonomy news

01 Wednesday Sep 2010

Posted by A. J. Braithwaite in Websites

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I was pleased to see the announcement today from Authonomy that they will be changing the way their site works. I mentioned a while ago that the site, ostensibly designed to find good new books, was suffering from a sort of social networking blanket-bombing. The Authonomy team accept that this is the case:

In recent months, we’ll admit that the site has been suffering from a kind of ‘vote inflation’ where support was given (or traded) very freely and as a result the rank of all books has been somewhat cheapened. The site functionality supported this and, until now, we haven’t stopped it.

So they’re going to somehow change the system to make this gaming less possible. I’ll be interested to see how this works. I drifted away from Authonomy for a while because I found all the ‘I’ll back you if you’ll back me’ nonsense distracting, but I’ve been popping back in of late and am still finding some great things to read there. One part-novel that I particularly enjoyed in recent weeks was The Cambridge List by Henry Miller. It’s a revenge tale, narrating the story of a failed classics student from Cambridge whose mind is occupied by Greek gods after taking an experimental anti-depressant drug.

The site is well worth visiting for the chance to read things that are simply not available anywhere else. But it will be even better if they can fix the social-networking madness.

Smashwords

15 Tuesday Jun 2010

Posted by A. J. Braithwaite in epublishing, Indie writing, Websites

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I’ve mentioned the Smashwords site before, but thought it was time to write something a bit more in-depth about my experiences with the service. Frankly, it’s hard to do so without coming over as a gushing fangirl, but I will do my best.

The site is aimed at anyone who wants to get their work into the hands (onto the screens) of readers with the minimum of expenditure. You can put a set price on your book, permit readers to set their own price, or make it available for free. The first two options work best if you are based in the US or already have a relationship with the US tax system. If you don’t, then you will either lose 30% of your income to the Internal Revenue Service or you have to do a lot of form-filling in order to meet the IRS regulations. Even if you live in a country which has a 0% tax agreement with the US. Smashwords gives a lot of information about how to deal with the various forms. Other self-publishing websites (Amazon and Lulu, for example) are effectively closed to non-US writers at the moment. Apple recently announced that you can publish directly to the iBookstore. If you own an up-to-date Mac. Luckily, Smashwords already distributes to the iBookstore, so I don’t need to get as irritated by that stipulation as I could if I put my mind to it…

I’ve talked before about the requirements that Smashwords places on texts: they’re mainly concerned with technical formatting issues, rather than content. I have noticed over the nine months that I’ve had my book with them that the formatting requirements have gradually got tighter. Every time you upload a revised version of the book, it goes through an automatic and manual checking process. Twice now, a new version of The Roman and the Runaway has been rejected in the manual check for something that was considered fine in the previous version. I originally had the book in block paragraphs and had to change it to indents to satisfy one of these checks. Then, more recently, I had to go through and alter the spacing between paragraphs.

To make books acceptable to the various other distributors that Smashwords deals with, there are often other changes that need to be made: the size of the cover image and hyperlinked tables of contents, for example. These evolving requirements involve some time on the part of the author to make sure that their books comply. The most significant change was the requirement for an ISBN number (in order to ship books to Sony and Apple). Again, detailed instructions were given for this and Smashwords is able to assign free ISBNs. In Canada, our ISBNs are free anyway, but the process of dealing with the Canadian ISBN Service System (CISS) is fairly complex and time-consuming. I think it’s worth it to get your name as the publisher, rather than Smashwords’. I found Sarah Ettrich’s post very helpful in getting mine. Randolphe Lalonde has also recently posted on this subject.

There’s a huge amount of helpful information on the Smashwords site itself – the Smashwords Style Guide covers a lot of the formatting issues and the Smashwords Marketing Guide gives useful tips on how to promote your work (including some great general advice about using Twitter). Overall, the ethos of the site is one of support and empathy with writers. Books in the system get (or are going to get) distributed to Barnes & Noble, Sony, Kobo, Apple and Amazon. All for relatively little effort on the part of the writer.

There are some things I’d like to see on the site that aren’t there yet. Statistics on the download of different ebook formats would be interesting (though that’s a bit geeky, perhaps). I’d also be interested to know how people got to the download page and whereabouts in the world they came from (the Feedbooks site offers this functionality): some detailed referral stats would be great. It would also be good if the Site Updates page had an RSS feed so that I could monitor it in my feed reader.

Overall, if you’re a writer who’s wondering about the best way of getting your work out into the big wide world, then I can’t recommend Smashwords too highly.

On pricing of ebooks

27 Thursday May 2010

Posted by A. J. Braithwaite in epublishing, Indie writing, Websites

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I was thinking of doing a post about ebook pricing anyway, but the discovery of my own book under someone else’s name for the bargain-basement price of $41.70 precipitated it, somewhat. $41.70! Who on earth would pay that? I could understand someone ripping off my content and presenting it for $2.99. That way they might actually sell a few copies!

Michelle Haley's version of 'The Roman and the Runaway'

(Click on the image for a closer look)

I love the way she used my cover for the book, complete with my name, and then claims the copyright in hers. It’s quite funny, really. The book does carry a Creative Commons licence which permits sharing, so long as the book remains unchanged. So she followed those guidelines, but conveniently forgot to notice the ‘non-commercial’ element of the licence. For some reason she has categorised it under ‘Craft and Hobbies’. I suppose it was a hobby of mine while I was writing it, but it doesn’t really reflect the content that well…

Anyway, back to the pricing issue. I mentioned in another post that I’m reluctant to pay anything at all for ebooks. (Maybe that’s just because I’m mean.) I do most of my fiction reading through our excellent public library system or via freely-available online material. I do occasionally buy printed books, although I try to limit that spending, otherwise the house gets full up of books too quickly. It tends to be mainly non-fiction that I buy these days: cookery books, for example. This might change if I get some sort of ereader, but the price of those is too offputting for now, too.

I enjoyed an online lecture by James O’Donnell on the Kindle, where he described his own ebook pricing barrier: $9.99 in his case. I suspect that many people share his scruples. There’s something too insubstantial about an ebook to warrant paying more than that. Or more than $5 or $3, perhaps. $41.70 would definitely be pushing it, I feel.

I’ve reported Michelle’s pirated copy of the book to the Lulu powers-that-be and have uploaded a free version on Lulu for good measure. Be interesting to see if they take the pricey one down.

Authonomy

16 Sunday May 2010

Posted by A. J. Braithwaite in Websites, Writers, Writing

≈ 3 Comments

Authonomy logo

I promised a post about Authonomy and here it is. It’s hard to describe this website in a few words, but, at its simplest, it is a place for writers to freely share their work and for others to read and comment upon it. I put The Roman and the Runaway up there in February this year. It is a bit nerve-wracking at first, having your work open to criticism, but generally the mood is supportive and a lot of the comments I received were extremely helpful and have resulted in significant edits to the text.

It is genuinely fascinating to read other people’s works-in-progress and to be able to ‘talk’ to other writers who are in a similar position to yourself. Some of the books are excellent: have a look at Little Krisna and the Bihar Boys or Jabin as a YA example. Pinpoint was pretty good, too. It’s hard to stop now I’ve started recommending things. Go and have a look and you’ll see what I mean. If this site is an online example of a typical slush pile, then it seems clear to me that publishers are missing some real gems.

Of course, not everything is wonderful, or even good, and there are several big drawbacks to this site. The original plan seemed to be that books which had garnered the most ‘backings’ (i.e. recommendations) from the Authonomy community would rise to the top of the chart (the ‘Editor’s Desk’) and be looked at by staff at HarperCollins, who run the site. However, human nature being what it is, it became fairly easy to game this system by blanket-bombing other members of the site and begging them to back your book. So ‘success’ becomes a question of how much time you have to spare to undertake this activity.

Not everyone is honest in their criticism, either. Or perhaps they are and I’m unduly critical, myself. Helpful, constructive criticism is rare, but very valuable. Often people seem more worried about being backed in return than they do about helping to improve their co-writers’ work, which is a shame. As a consequence, there are a lot of comments dripping with (in my opinion) insincere praise, which makes it hard to identify genuinely positive feedback.

I’ve stayed away from the forum on the site. Again, for me, it’s a time issue. I can see that it would be all too easy to get sucked into the message boards, but at the moment I don’t think it is worth the investment in time. I’ve also noticed a degree of unpleasantness on there that I don’t want to get involved with. Too many creative egos in one place, perhaps.

On balance, it’s a useful site and an interesting place to find new writers and see what other people are doing. Some of the books are complete, so it’s another way of reading books for free (always a good thing!). I would caution against believing everything that people say about your work: some comments are going to be too positive to be believable, while other commenters have clearly read no further than your back-of-the-book pitch. Others damn you with faint praise. My favourite, so far, in this latter category, is this one:

Clearly this wasn’t written for me to identify with but, I am sure it would appeal to it’s [sic] target audience. More than happy to back it if you’ll have a look at my effort. It’s in the way of adult fiction.

Authonomy is a site I would definitely recommend to emerging writers. I’m not clear on the business model for it, from HarperCollins’s point of view, but it’s an interesting place to spend time. My advice would be not to get too sucked into it. Unless you’ve got hours and hours to spare. And if you have, shouldn’t you be writing instead? 😉

Influences

15 Saturday May 2010

Posted by A. J. Braithwaite in Websites, Writers

≈ Leave a comment

Third Year at Malory Towers cover

Third Year at Malory Towers

Two people on the Authonomy site (about which there will probably be another post in due course) have mentioned that The Roman and the Runaway reminds them of Enid Blyton’s Malory Towers books. Although both of them spelt it Mallory Towers. I think I should find this slightly offensive, except that I did love the Malory Towers books myself when I was a child and still have a soft spot in my heart for them. I used to save up my pocket money (a whole 10p a week) until I had enough to buy the next book. A children’s paperback was 35 pence in those days, so I had to rely on the school and public library systems to supply the bulk of my reading.

I hope that The Roman and the Runaway is a more complex read than the Malory Towers series, but there’s no denying that those books did have a big influence on me when I was young. I went through a Jennings phase, too, I recall. Perhaps those early memories have stayed with me.

As far as other influences go, I would have to single out Diana Wynne Jones as the one author whose children’s books have been a constant presence on my bookshelf and in my hands ever since I first read Charmed Life in the late 1970s. Indeed, it is thanks to Diana Wynne Jones that I ever read anything apart from Enid Blyton (my poor mother was starting to despair!).

My tastes have got slightly more eclectic since then. I’ve been trying to keep a log of my reading on the LibraryThing website. This holds details and reviews of all the books I’ve read since emigrating to Canada in June 2007. I’ve got 87 books on there at the moment. Which works out at around 2.5 books a month. I still get most of my books from public libraries but I suspect my reading rate was much higher when I was a child, even though these days I could probably afford to buy more than one book a month!

Becoming an ‘indie’ writer

11 Tuesday May 2010

Posted by A. J. Braithwaite in Indie writing, Websites

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When I finished The Roman and the Runaway in September 2009 I was not sure of the best way to get my book out to its potential public. I was new to the whole business of publishing and all I really knew was that it is horrendously difficult to get ‘properly published’. Just the idea of having to write to hundreds of agents or publishers in order to receive as many polite rejection letters seemed hugely daunting (not to mention time-consuming and utterly pointless).

I read Chris Anderson’s book, Free, online at around the same time as I finished the novel. I had read only one other book in digital format before (Neil Gaiman’s American Gods, if you really want to know (also available for free at the time!)). The combination of online reading and the subject matter of Anderson’s book resulted in a lightbulb-style moment of enlightenment. It suddenly became obvious that what I needed to do was to publish the novel online somehow.

I think I’d originally been looking at publishing electronically (and charging for the book) through Amazon, only to find at the last minute that I needed to be living in the US in order to do so. After that, the first site I chose to put the book on (for free) was Scribd, where the book got a few downloads and reads. 14 and 388 respectively, at the time of writing this. Hardly spectacular. The main problem with Scribd is its categorisation of works. No-one seems to take them seriously, so there are huge numbers of things in the ‘novels’ category which are not novels at all and there aren’t any subdivisions to the category which would help people find different types of novels. It seems that anyone can upload anything, anywhere: there’s no checking involved.

A month later, I somehow found out about Smashwords. Initially I put the book on there as ‘Reader sets the price’. After a fairly short period of time I changed the price to ‘free’. The logic behind this was that I wouldn’t want to pay for an ebook from an unknown author myself, so how could I expect others to pay for my work? I actually have yet to pay for an ebook from a known author. That might change if I get a dedicated ereading device at some point, but right now I don’t see an ebook as having the same intrinsic value as an ink-and-paper one.

If I really like a free ebook, then I will pay for a paper version. This happened with Megan Whalen Turner’s book The Thief, which I originally found as a free ebook on HarperCollins’ site. I read it, enjoyed it and decided that my daughter would love it too. So I bought it in paperback. Not just that one, but the three sequels, too!

Ebooks are just too ephemeral for me to want to pay anything for them. So I’m happy to share my first one for free. If I ever get the sequel finished, I might put a (low) price on that…

Smashwords is a fantastic site: I can’t praise it highly enough. It’s easy to use, the support (if you need it) is rapid and friendly and there are some great free stories on there. The categories for the books make sense and there is a considerable degree of vetting by the site administrators, which adds to the confidence of the site’s users.

Am I still hankering after getting ‘properly’ published? Not really. I’ve got one rejection letter under my belt already and another one probably on the way in a few months’ time. In the meantime, my book has gone past 3,000 downloads on Smashwords and I’m just happy that it is finally out there for other people to enjoy. At least I hope they’re enjoying it: there aren’t any comments or ratings on it yet… 😉

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The Roman and the Runaway

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